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White Tower Musings

~ This blog will be an attempt to explain the significance of various works of great writing, the authors that create them, and some effort to understand correlations between great writing and contemporary events.

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Tag Archives: Batman: The Animated Series

Why So Serious?-Christopher Nolan’s Joker

25 Friday Jan 2019

Posted by Joshua Ryan "Jammer" Smith in Comics/Graphic Novels, Film Review, horror

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"I like this job I like it", "Some men just want to watch the world burn", "Wanna know how I got these scars", "Why so Serious", 9/11, Alfred Pennyworth, Anti-Hero, Batman, Batman: The Animated Series, chaos, Christopher Nolan, Comics, Film, film review, Heath Ledger, Jack Nicholson, Joker, Joker's Scars, Mark Hamill, Psychosis, September 11th, terrorism, The Dark Knight, Tim Burton, violence

joker 11

My father can’t watch the movies Seven or The Dark Knight, and yet he never misses an opportunity to ingest every episode of CSI, including that episode where the teenager gets part of her skin chewed off by her friends…Google it.  This mystified my mother, my sister, and I when we found this out because often we have to bear the brunt of my dad’s television viewing habits and that often entails hour upon hour of crime shows in which human beings perform murder after murder, rape after rape, torture after torture and by the end the viewer is offered one more closure on the loss of another human being’s life while being interrupted for five minute intervals so that someone can sell them Viagra, Yogurt, A low-Rate Adjustable Reverse Mortgage, and maybe a Snickers Bar.  I’m not trying to mock my father, I really do love the old man, I just didn’t appreciate the fact that he said that he didn’t like the movie in a snide, pejorative tone, and then watched half the film with us before leaving during the climax scenes.  You’d think a film that involves a man dressed up as a bat ramming straight into a garbage joker 4truck would appeal to him, but, alas, such is life.

I can’t say for sure, but I think the reason my dad didn’t enjoy The Dark Knight was for the same reason I love the movie: The Joker.

To be honest, I don’t really give much of a damn about the character of Batman.  While I have some friends who worship the character as a god and have every individual issue of the comics memorized, I’ve approached Batman the way I’ve approached Fried Chicken.  In small doses, it can exactly the sort of thing I want to ingest, but when consumed in large quantities after a while it can become fattening and give me heartburn.  I love the possibilities of the character and the universe the character offers, but too often the culture of Batman, more specifically the fan-boy-gate-keeper culture of Batman can kill my passion before I’m even past the first page.nicholson joker

Fortunately, I discovered the character at the right point of my life: when I was a kid and found my parents VHS copy of Tim Burton’s Batman.  Even as a kid I absolutely loved Jack Nicholson’s Joker going to the trouble to memorize every line he had in the movie, and today even without having it playing I can recite entire passages of the film from memory.  And, for the record, I’m still the only one who realized that Jack said, “I’m of a mind to make some mooky.”  I had no idea what that actually meant, but it was really really fun to say when I was eight.

Along with Tim Burton’s now canonical masterpiece (not to mention one of the last truly great films the man’s directed), I was also brought up on Batman: The Animated Series.  While nostalgia has unfortunately dominated society at large, there are JokerMHBTAStimes when one can honestly look back at an animated television program and admit that what they spent every Saturday watching was a truly great show and not just an excuse to veg-out on the couch and inhale toy commercials and breakfast cereal.  The show was brilliant and beautifully animated, but most importantly it had The Joker played by Luke “Mutherfucking” Skywalker, a.k.a. Mark Hamill.  Hamill’s performance is still one of the standards of the Batman universe and it doesn’t hurt that he kept doing the part alongside Kevin Conroy in every subsequent Batman game.

These two experiences of the character seemed to define my idea of what the Joker and could be, and so as the Dark Knight came out, and I like many young fanboys were left mystified that the “gay cowboy actor” could be cast in the role I was terrified about what the new Batman film would do to a character that, at the time, I loved.

Heath Ledger’s Joker changed everything.  And that’s not just an empty statement.

joker 11

Watching The Dark Knight Again I was able to really observe how, in retrospect, the performance was truly paradigm altering in terms of what a villain could be in a film.  And I don’t mean to Bally about with hyperbole but I do truly believe that The Joker has permanently altered what a villain can and should be to a post-9/11 audience.  One scene, in particular, stands out to me, and it’s the torture recording.

The Joker: [the Joker has Brain Douglas captured and is recording him] Tell them your name.

Brian: Brian… Douglas.

The Joker: Are you the real Batman?

Brian: No.joker i like this job

The Joker: No?

Brian: No.

The Joker: No? Then why do you dress up like him?

[grabs Brian’s mask and dangles it in front of the camera]

The Joker: whooo-hoo-hoo-hoo!

Brian: Because he’s a symbol that we don’t have to be afraid of scum like you.

The Joker: Oh you do, Brian. You really do. Yeah. Oh shh, shh, shh, shh, shh. So, you think Batman’s made Gotham a better place? Hmm? Look at me. LOOK AT ME!

[turns camera to himself]joker hit me 2

The Joker: You see? This is how crazy Batman’s made Gotham! You want order in Gotham? Batman must take off his mask and turn himself in. Oh, and every day he doesn’t, people will die. Starting tonight. I’m a man of my word.

[laughs]

While I’m not a fan of posting videos in my essays, sometimes the delivery is far more important than the actual lines themselves:

The scene is impossible to forget, and I like many people remember it not because the laughter was genuinely disturbing, but because what immediately followed was a long silent shot of Bruce Wayne’s penthouse and the movie theater being completely silent. For once in the history of obnoxious people talking during the movie, nobody had anything to say.  It became clear at that moment that Batman movies were no longer about Bat-Shark Repellent and dancing the Bat-Tootsie.

bat tootsie

Heath Ledger’s Joker was not like anything that had come down the pike of the action movie franchise, let alone the superhero franchises as they existed in the Pre-Marvel blossoming.  Superhero movies had to be defined by a charm and feeling of positivity. I'm a man of my wordEven at their darkest, there was an understanding that certain levels of violence or psychosis just weren’t going to be explored.  And note, I’m writing principally about movies rather than the comics which always had elements in them that could be severely shocking or depressing or legitimately disturbing.  It’s just that the Joker that Heath Ledger was playing didn’t feel like anything I had ever seen before in a major motion picture.

It feels ridiculous now to write this honesty on the internet given the fact that Ledger’s Joker has become a freaking meme and a staple at comic con instead of a legitimately frightening terrorist dressed up as a clown.  Time has a tendency to lessen trauma and fear, and looking at the character again the use of the word terrorist doesn’t feel too bold.  Apart from the fact that the characters in the film regularly refer to The Joker as You Complete Mesuch, it’s important to remember that The Dark Knight was riding the wave of the Post-9/11 sentiment that was redefining villainy in art.  No longer were characters hyperbolic stand-ins for communists that were larger metaphors for the villainy of foreign nations.  The Joker was just nobody.

Mayor: [regarding The Joker that’s sitting a holding cell] What’d we got?

Lt. James Gordon: Nothing. No matches on prints, DNA, dental. Clothing is custom, no labels. Nothing in his pockets but knives and lint. No name, no other alias.

It didn’t seem real in 2008 that some random individual could cause such chaos and misery, but then it was easy to remember that some random individual in the Middle East, as far as the United States was concerned, was able to fund and mastermind the death of close to 3000 people.  It’s easy today to understand that any random person could walk into a school and shoot and kill children.  It’s easy to recognize that some random person could walk into a church during a bible study and kill people.  It’s easy to recognize that a lunatic could walk into a movie theater, call himself the Joker, and shoot the place up.  It’s easy to think this because that’s the world we’re living in, and so in many ways, The Dark Knight managed to capture the Zeitgeist before the culture was even aware.

I'm not a Monster

I don’t want my review to be only that The Joker changed things for filmmakers and the landscape of cinema period, because I’m positive that somebody’s probably already written that essay and done a better job than I could have.  For me watching The Dark Knight again I was struck by how incredible the film was in terms of its direction, but then also because Heath Ledger’s performance really was incredible and I recognized how much it had mattered to me.  I’ve written before about my fascination with anti-heroes when I was young, and  I like many young men became obsessed with the Joker when the movie came out because he became, all at once, the defining anti-hero of my generation.joker clapping

There was powerful darkness to The Joker that just couldn’t be denied and part of that was his now iconic stories about his scars.  The first scene remains the most powerful because of a single line:

Gambol’s Bodyguard: Yo, Gambol, there’s somebody here for you. They say they just killed the Joker.

Gambol’s Bodyguard: They brought the body.

[a body bag is brought in and dropped on the table; Gambol unzips it, revealing Joker’s face]

Gambol: So. For dead, that’s 500…joker 6

The Joker: [sitting up and sticking a blade in Gambol’s mouth] How ’bout alive?

[Joker’s men hold the bodyguards]

The Joker: You wanna know how I got these scars? My father, was a drinker, and a fiend. And one night, he goes off crazier than usual. Mommy gets the kitchen knife to defend herself. He doesn’t like that. Not. One. Bit. So, me watching, he takes the knife to her, laughing while he does it. He turns to me and says, “Why so serious?” Comes at me with the knife. “WHY SO SERIOUS?” He sticks the blade in my mouth… “Let’s put a smile on that face.” And…

[glancing at thug]Minolta DSC

The Joker: Why so serious?

[kills Gambol]

This scene was disturbing enough largely because the final action wasn’t actually shown, we only saw a reaction to the violence, but that in itself was effective enough.  What became more frightening, as the film went on, is how this changed in a later scene.  Rachael Dawes, Bruce Wayne’s former girlfriend, confronts the Joker at a party and he more or less attacks her while repeating the story, yet something’s changed:

The Joker: Well, hello, beautiful. You must be Harvey’s squeeze. And you *are* beautiful.

[he walks around her]

The Joker: Oh, you look nervous. Is it the scars? You want to know how I got ’em?

[He grabs Rachel’s head and positions the knife by her mouth]joker 12

The Joker: Come here. Hey! Look at me. So I had a wife. She was beautiful, like you. Who tells me I worry too much. Who tells me I ought to smile more. Who gambles and gets in deep with the sharks. One day, they carve her face. And we have no money for surgeries. She can’t take it. I just want to see her smile again. I just want her to know that I don’t care about the scars. So… I stick a razor in my mouth and do this…

[the Joker mimics slicing his mouth open with his tongue]

The Joker: …to myself. And you know what? She can’t stand the sight of me! She leaves. Now I see the funny side. Now I’m always smiling!joker 13

[Rachel knees the Joker in the groin; he merely laughs it off]

The Joker: A little fight in you. I like that.

As usual, my mother summed up what was scary about the Joker so beautifully the first time I showed it to her.  After the film had ended and we talked about it for close to an hour or more, she seemed to summarize the entire film when she observed, “Whatever has happened to The Joker is so horrible to even he can’t clearly remember what it was.”  It was a beautiful thought and I really, REALLY wish I had been the one to have it.

This observation though is probably what appealed to me about the Joker.  Watching thejoker 9 movie over and over again I would memorize his lines because there was something about that darkness that appealed to me.  I was young, depressed, not sure of who I was, frustrated by my seemingly perpetual virginity, and so looking at this character who just seemed so himself, there was some darkness of willpower that I either admired or else was simply fascinated by.

And perhaps one exchange in the film between Bruce Wayne and Alfred offers the clearest sentiment, which itself has become something of a cultural meme.  After the party, Bruce and Alfred are attempting to determine the identity of the Joker and while they are discussing his motivations Alfred offers Bruce, and the audience, a lesson about humanity at large:

Bruce Wayne: [while in the underground bat cave] Targeting me won’t get their money back. I knew the mob wouldn’t go down without a fight, but this is different. They crossed the line.

Alfred Pennyworth: You crossed the line first, sir. You squeezed them, you hammered them to the point of desperation. And in their desperation, they turned to a man they didn’t fully understand.joker 14

Bruce Wayne: Criminals aren’t complicated, Alfred. Just have to figure out what he’s after.

Alfred Pennyworth: With respect Master Wayne, perhaps this is a man that *you* don’t fully understand, either. A long time ago, I was in Burma. My friends and I were working for the local government. They were trying to buy the loyalty of tribal leaders by bribing them with precious stones. But their caravans were being raided in a forest north of Rangoon by a bandit. So, we went looking for the stones. But in six months, we never met anybody who traded with him. One day, I saw a child playing with a ruby the size of a tangerine. The bandit had been throwing them away.

Bruce Wayne: So why steal them?joker 1

Alfred Pennyworth: Well, because he thought it was good sport. Because some men aren’t looking for anything logical, like money. They can’t be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn.

This final line, much like the “Why so Serious,” is one that has entered the larger culture and can at times seem kitsch or cliche, but as I’m fond of writing cliches are cliches for a reason.  The Joker is a character defined simply by his desire for chaos and anarchy, and his sheer force of will.  Rather than try to contribute to society and make his life something that contributes positively to his community and culture, he finds far more amusement in breaking it all down.

One of the more annoying aspects of youth is its frustration with its own inexperience, and I’m not trying to talk down to teenagers, joker 2I’m trying to talk down to my former self.  But only slightly.  Being a young man I resented adults who seemed stable and comfortable and it didn’t make any sense that they seemed to have all the answers and all the power with what to do with my life, and so I, like many young men, gravitated to anti-hero because they provided me with some form of agency.  The only difference between me and the rest of my friends was that, while they bought rap CDs and played sports, I listened to heavy metal and bought a “Why So Serious Poster.”  The Joker became an icon to me not because I thought he was cool, but because he seemed to embody this idea of anti-authority which was exactly what I needed at that point in my life.

And watching the movie again I still absolutely loved The Joker, but not for the same reasons.  I loved him, this time around, because I realized how much he defined the villain of my culture and society.  No matter how many obnoxious libertarians, joker 3conservatives, and liberals turned The Joker into a meme about whatever-the-fuck-wh-the-fuck-cares, watching him getting beat up by Batman and still cackling was still legitimately frightening.  Watching him throw a lit cigar on a giant pile of money and kill Lau (Yeah don’t forget that shit, there was a living dude on that giant pile of money), and watching him kill a man with a pencil was still a reminder that this character had not only played a major impact on my life, but upon the lives of movie-goers the world over.

The Dark Knight is arguably one of the finest films made in the last two decades, not solely because of the Joker, but Ledger’s performance did permanently alter the zeitgeist in ways that are still apparent.  The Joker became part of the wider conversation about what is evil in our society and how can we recognize it?joker 7

The figure and face of atrocity is no longer a great body of a nation threatening nuclear war against one nation or another.  In our Information Age evil is a single man walking into a classroom and brandishing an automatic rifle.  It’s not a threat that is clean, or one that follows a real guiding philosophy or methodology and so fighting such an evil implies new moral questions about what can be done to stop such monsters.

It doesn’t seem like it should, but The Dark Knight is a film which always entertains and always leaves me wanting for more.  It explored and introduced me to a character that altered my perception of what true wickedness and evil could be, but it also gave me a chance to be yet another in a long line of douchebags at the party who only thinks he can do a great Heath Ledger impression.  And in the end, does that not somehow make me even more of the monster?

joker 8

*Writer’s Note*

 

**Writer’s Note**

While looking for a few reviews and examinations of The Dark Knight, I stumbled upon this video which I think is pretty great analysis of the character and his effect not only upon the other characters of the film, but also how this could impact the viewer as well.  Please enjoy.

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Romantics as Rappers, Superheros, Real Estate Tycoons, and Immortal Allusions of Power

29 Sunday Nov 2015

Posted by Joshua Ryan "Jammer" Smith in Comics/Graphic Novels, Literature, Poetry, ReBlogged Articles, The North American Society for the Study of Romanticism

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Batman: The Animated Series, Cartoons and Romantic studies, Citizen Kane, Family Guy, H.G. Wells, I wandered lonely as a cloud, Jasper Fforde, Kubla Khan, Le Morte d’Arthur, Madam Xanadu, Olivia Newton John, Orson Welles, Ozymandias, Popular Culture, Romanticism, RUSH, Samurai Jack, Songs of Innocence and Expierience, The Eyre Affair, The Island of Dr. Moreau, The Lamb, The North American Society for the Study of Romanticism, The Rime of the Ancient Mariner, The Simpsons, The Tyger, TV and Romantic studies, Watchmen, William Blake, William Wordsworth, Xanadu

This essay was originally published on The North American Society for the Study of Romanticism’s blog.  The full essay can be read on their home page by accessing the link at the end.

hqdefault

There’s a scene in an episode of the animated series Samurai Jack where the Scotsman encounters an old man in the port who wishes him to tell him a tale. When the Scotsman asks what it is there’s a long pause before the old man cackles out, “The Rime of the Ancient Mariner!”

The Scotsman then bellows, “Heard it!” and shoves him out of the way.

As a kid you recognize the dismissal as the base of the comedy and don’t dig too far into it. It’s only when you watch the show ten years later, because of course the cartoons you watched when you were a He cannot choose but hearkid were better than the cartoons that exist today everybody knows that, you pause on that joke and, hopefully, still laugh. You get the context of the joke because your sophomore level English instructor had you read the poem and you get that it’s a play on the set up and…I’m ruining the joke aren’t I? Sorry about that.

I was going originally to write about John Keats’s To Autumn or Ode to a Nightingale, but I’ve decided to leave that for December for rhetorical reasons (assuming NASSR doesn’t fire me or Grad school doesn’t kill me, check back in in a month I promise it will be worth it). Since I saw I only had two weeks until my next post was due I thought it would be interesting to discuss popular culture and it’s response to the Romantics. Now the possibility for such an essay might at first be an in depth analysis to the cultural habit or re-imagining previous texts in order to build upon the shoulders of giants, not to mention establish an interest for young viewers so that there’s hope to become young readers. That’s the possibility, but not necessarily what I’m going to do here. I thought it’d be fun to just look through several examples of where we can find allusions to Romantic poetry.

Now because there’s so many great examples of references to the Romantic Period in Popular culture I don’t even know where to begin.

Let’s start with Family Guy.

The_Griffin_family

 

TO SEE THE FULL ARTICLE FOLLOW THE LINK TO THE NASSR BLOG HOME PAGE HERE:

http://www.nassrgrads.com/romantics-as-rappers-superheros-real-estate-tycoons-and-immortal-allusions-of-power/

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I'm Tired I've Been Down That Road Before I, Claudius Icarian Games Icarus Ice Cream that ISN'T Ice Cream Ida Tarbell Idealism identification Identity Identity Crisis Idris Elba If a woman is upset it's not because she's on her period it's because you're being a dick If they ask if you want Pepsi throw over the table throat punch the shit out of them and then proceed to burn that motherf@#$er down If you're reading this pat yourself on the back because you can read and that's awesome ignorance I have Measured Out My Life in Coffee Spoons and K Cups I know too many Michaels I Know Why the Caged Bird Sings I Like It Like That I Like it Like That: True Stories of Gay Male Desire Illuminated Manuscripts illusion Illusion of choice I Love Lucy I Love Lucy Mug I Love Penis...Mug iMac Imaginary Time imagination Immanuel Kant immigrants imperialism Imposter Complex Impressionists In Bed with David amd Jonathan incest Incorporation of images in Pedagogy Independence Day Independent Comics Indie Fiction Individual Initiative Individual Will Industrial Nightmare industry infidelity Infinite Jest Infinite Jest Blogs Infinite Possibility Infinity Informed Democracy Inherit the Wind Injustice innocence vs ignorance In One Person Inquisition insanity Insects Inside Out inspiration integrity intellectual Intellectual Declaration of Independance Intellectual masculinity Intellectual Parent Inter Library Loan internet interracial relationships Interview Inu Yoshi invert Invisible Man Invitation to a Beheading Ion IOWA iPad Ipecac iPhone ipod IRA I Racist Iran-Contra Irish Breakfast Tea Irish history Irish Writers I Ruck, Therefore I Am Isaac Asmiov Isaac Deutscher Isabel Allende Isabella St. James Ishmael Islam isolation Israel Issa Rae It It's an Honor It's illegal in the state of Texas to own more than six "realistic" vibrators It's time to adopt the Metric System in America for crying out loud It's truly truly difficult to find good coffee and by good coffee I mean the type that leaves you feeling as if you've actually tasted something beyond human understanding close to the furnace of all Italy Ivory Tower of Academia ivy I wandered lonely as a cloud I Want a Wife I Was a Playboy Bunny I Will Fight No More Forever I work at a Public Library J.D. 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Auden W. Somerset Maughum Wackadoodles Waiting for Godot Walden Waldo Lydecker Walking and Talking Animals Who Wear Top Hats Wall and Piece WallStreet Walter Cronkite Walter Fane Walter Isaacson Walt Whitman War War and Peace War Literature and the Arts Warren Steinberg War with Hannibal Washington Post Was ist Aufklärung Watching Watchmen Watergate waves We We're Back Wealth Gap We Are Mired in Stalemate We Are the Champions Webster's Dictionary Weird Shit Weldon Parish Well Hung Bad Boys Looking for D Wen Jieruo Wes Anderson Western Literature Westerns West of Everything-The Inner Life of Westerns We Were Eight Years in Power We Were Eight Years in Power: An American Tragedy We Were Here Weyland Corp. whale Whalers What's New About the War? What's Up Doc? What I Don’t See at the Revolution What is Eraserhead about What is Infinite Jest About? What it Means to Be a Homosexual What Mothers Give Their Children What the Fuck is Purple Stuff? What to the Slave is the Fourth of July? What Unites Us What Unites Us: Reflections on Patriotism What Vaginas Smell Like What Vaginas would Wear When the time comes...you'll recieve a llama When We Rise When You Are Engulfed In Flames Where the Wild Things Are Whispers in the Dark White America Vs. Black America White Christmas White Heat: The Friendship of Emily Dickinson & Thomas Wentworth Higginson White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson White House Correspondance Dinner White Noise White Priviledge White Privilege White Savior Complex White Tower Musings White Tower Musings Stands with the Free Press White Tower Musings Stands with the Standing Rock Sioux Tribe White Tower Musings supports the use of sex toys and sexual education Who Framed Roger Rabbit? Who the fuck doesn't have change for a 20 at a goddamn movie theatre? Why Comics? Why Comics?: From Underground to Everywhere Why Do Americans Distrust the Media Why do I never get a well built underwear model for Christmas? Why is the Negro Lynched? Why Libraries Matter Why Our Future Depends on Libraries Why Our Future Depends on Libraries, Reading and Daydreaming Why Our Future Depends on Libraries, Reading and Daydreaming: The Reading Agency Lecture, 2013 Why Women (Still) Don't Get It Why Women Aren't Funny wild animals Wilderness Wilderness and the American Mind Wiley Burp Wiley Coyote Willem Defoe William Blake William Boyd William F. Buckley Jr William Faulkner William Golding William L. Shirer William Novak William Ruckelshaus William Shakespeare William the Conqueror William Wordsworth Willie Morris Willie Nelson Will Power will to survive Winkies Winston Churchill Winston Smith wire wisdom Wishbone Witches Witch King of Angmar With Teeth Wizard Wizard of the Crow Woke Wolf of WallStreet Wolverine Wolverine: Old Man Logan Woman's Body Women Women's Bodies Women are like OBSESSED with Edgar Allen Poe...Yo Women Can Breastfeed WHEREVER THE FUCK THEY WANT Women Friendships Women in Comedy women in comics Women in drag Women in History Women in Literature Women in Manga Women in Suits Women in Tolkien women wearing men's suits Womyn Wonder Woman wood Woody Allen Wordpress word processor words Working Class Hero Working Class Men Working Man World War I World War II World War II Rhetoric Wreath Writer's Social Role Writers Writers Writing Writers writing about writing Writing Writing about Writing Writing Formula Writing From Below Writing Guides Written Language WTF Wu-Tang Clan X-Men X-Men: The Last Stand Xanadu Xenomorph Xerxes Xiao Qian Xuu XXX Yaoi Yavanna: Queen of the Earth yawp Years of Upheaval yellow Yes I wrote an entire essay about boobs I know I write a lot about sex between men but I like women too you know Yes Please Yo-Yo Ma Yoshikazu Yasuhiko Yossarian You cannot just put your hand in a goddamn beehive and act like you cool and shit that it some real noise son Young Frankenstein Young Gay Love Young Joseph YouTube YouTube-Podcast Zealot: The Life and Times of Jesus of Nazareth zebra pencil Zeon Zephyr Zeus Ziauddin Yousafzai Zora Neale Hurston ‘Our cause is just,’ says tribal leader in pipeline protest “murderous Fairy” “Old Blood & Guts” “Saturday Night Massacre” “weirdly horrible tale”

The Author

Joshua Ryan "Jammer" Smith

Joshua Ryan "Jammer" Smith

I received my first name "Jammer" as a drunk rugby player pointed to my mother as she suffered my relentless in utero kicking and said, "Hey he's jammin her! Jammer!" Since then the name has stuck. As of this writing I'm in my mid twenties, dreading my early thirties, attempting to grow a beard, working on achieving my masters in English and Rhetoric, doing everything in my power to get a collection of short stories published, and as always trying to understand what my wife sees in me. I knew that I had to be a writer (one does not become an artist one simply becomes aware of one's abilities) during my sophomore year of high school when my teacher gave me her copy of Stephen King's The Green Mile. Like a man possessed I drank up the writings of King and other writers like him until I experienced Christopher Hitchens in a two year hiatus from school. Since that time I have done everything in my power to grow and improve as a writer. It is who I am and everything I want to be, except of course for Cookie Monster (and maybe Rolf the Dog but only for the musical talent). My nonfiction work is mostly devoted to this blog or academia, but in my fiction I act as a crazy wisdom shaman attempting to demonstrate and examine societal norms and sexual politics. Should my work every become published I promise to make the announcement here. I hope these essays encourage any and all who read them, to not only think for themselves, but also to consider reading the great works examined here. Finally, a note on the title of this blog. Intellectuals have often been attacked for retreating into the "ivory towers" of their mind, rather than living in the real world. I mistook "ivory" for "white" when I wrote the title, I couldn't remember the damn word, and by now it's too late to retreat. I even remarked to my sister that this mistake could easily come to disaster should anyone replace the "t" in tower with a "p." I do not deny that I live often within the confines of my own mind rather than in reality, but when I do retreat into that space I consider myself fortunate that I may retreat into a space brimming with ideas and knowledge. I do not apologize for being an intellectual, even if it's a dirty word, especially if it is a dirty word.